Tuesday, May 31, 2011

Janakan Kreativiti Anda Dengan Adobe Creative Suite 5.5

Pelancaran perisian versi terbaru Adobe Creative Suite 5.5 baru-baru ni sekali lagi memberikan kuasa maksima dalam membangunan kandungan Interaktif untuk media baru terutama ekslusif buat pengguna peranti tablet dan telefon mudah alih seperti iPad, Blackberry Playbook, Android dan juga yang lain.

Sebagai seorang peserta program ‘Pengaruh Adobe”, saya dipilih untuk menyentuh beberapa fungsi terbaru di dalam perisian Adobe Creative Suite 5.5 terutamanya InDesign 5.5 dan Flash Catalyst 5,5 yang memberi kreativiti tanpa terhad dengan penggunaan tool yg berfungsi utk mempermudahkan produksi rekaan terutamanya bagi industri penerbitan majalah digital dan buku elektronik terutama bagi pengguna peranti tablet seperti iPad, Playbook, Samsung Galaxy Tab, dan lain lain.





Sebagai pembina kandungan interaktif, kualiti & efisiensi yang menggunakan perisian seperti Adobe InDesign 5.5. berlipat ganda dalam membina portfolio untuk iPad yang ternyata tidak mustahil. Ia menjadikan produk yang kita ingin sampaikan memberikan impak yang positif dan berkesan. InDesign yang dahulunya menerhadkan penggunaan terbitan secara digital, kini, ia memudahkan pengguna untuk menerbitkan majalah digital dan buku digital yang boleh dipasarkan di merata dunia.


Antara fungsi-fungsi yang menarik minat saya adalah seseorang pengguna tidak perlu mempunyai latarbelakang pengaturcaraan komputer seperti ActionScript, HTML, XML dan lain-lain untuk membuat majalah berbentuk digital, ini semua tidak mustahil dengan perisian Adobe Flash Catalyst CS5.5.


Apa itu Flash Catalyst? Ia adalah sebuah perisian rekaan interaksi hebat yang memberikan anda transformasi kandungan kreatif dari Adobe Photoshop, Illustrator dan Firework menjadi sebuah projek interaktif yang begitu canggih, konsistan dan berkesan.


Flash Catalyst juga berintergrasi dengan satu lagi aplikasi iaitu Flash Builder 4.5 yang memberi ruang bagi pembina kandungan mobil untuk mencipta aplikasi-aplikasi mobil Flex atau ActionScript® yang boleh memberikan lebih kreativiti contohnya aplikasi yang dapat melakar sesuatu lukisan secara digital dengan sentuhan jari pada skrin tablet yang dapat menghasilkan sesuatu karya seni atau rekaan tanpa mengotorkan tangan dengan alatan-alatan seperti cat minyak, cat air, berus dan lain-lain.


Kini, bukan saja kita dapat melihat sekadar kandungan pasif dalam sesebuah majalah digital atau buku elektronik malah berpeluang menghayati sesuatu kandungan dengan paparan gambar paranoma yang boleh dialih diserata layout majalah (pan & zoom), memperbesarkan sesuatu imej, menonton video secara langsung dari peranti tablet dan juga memainkan fail berbentuk animasi.


Bukankah begitu mudah untuk kita membina sesuatu kandungan interaktif yang dapat meluaskan kreativiti kita? Inilah masanya untuk anda menerokai keistimewaan yang dipaparkan dalam versi terbaru Adobe Creative Suite 5.5!

Untuk maklumat lanjut, sila layari laman web Adobe dan muat turun demo versi terbaru CS 5.5

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Sunday, May 08, 2011

Creativity with PencilBrush

The latest groundbreaking trend for illustrators and artistes is the PencilBrush, a hi-end yet user-friendly and innovative pencil that works like a brush, just the way you want it.



Bigbrosworkshop had invited me to attend an 'Introduction to PencilBrush' workshop curated by the creator himself, Alex Tarusha. Alex had demonstrated us the fastest tricks and tips to draw portraiture or figure using Pencil Brush and it took me just 3 minutes to produce something that I would normally achieve in 30 mins or so. Among top Malaysian illustrator such as Michael Chuah (Gilamon), KidChan (The Illustrator), 100Tentacles, ActionTintoy, Kenji @ BlackFriday, UrbanCreatures, Lisa Lee, Najib a.k.a Artech, Kenzy, MAWS along others.





We had such an enlightening experience and the outcome of using Pencilbrush is truly unexpected and different from our usual stroke that most of us had achieved using permanent marker.

"A handheld tool that is as simple as charcoal, gives you the precision of a mechanical pencil and the sketchy feel of a normal pencil. In short, a smart tool that offers large area coverage and a sharp tip for details that at the same time can serve as a dynamic liner. All this in one single tool with just one tip!" - Alex.

PencilBrush gives a different, extended volume of stroke, 3-4 times faster from a single pencil could achieve. It's a great exercise and it provide you a greater consciousness of how you control your tool in producing different outcome from different movement and control.

PencilBrush, (RM 89.90 Retail Price) is available at selected art store and stationary shop like Art Friend, The Gardens Midvalley & Venus Art & Stationery, No. 90, Jalan Petaling, Kuala Lumpur and Cziplee in Bangsar. I'll update you more location of how you can own this fascinating tool to create wonderful artworks. You can also contact Bigbrosworkshop via email to purchase your order: info[at]bigbrosworkshop.com or visit http://www.bigbrosworkshop.com to place your order.

Meantime, checkout the video tutorials available at Pencilbrush.com.

Video Intro:



Photos from the workshop:








From left: Tintoy, Chunwoei & wife, Helen, Muid (me), Alex Tarusha, Euseng, Kenji, Shy (from JB),  Suki, Michael Chuah (sitting) & Lisa Lee (Liselle).



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Sunday, January 09, 2011

Photoshop: Working With Patterns

User level: Intermediate
Application required: Adobe Photoshop (CS3 above)

This is a simple screen-shot tutorial on how to create interesting patterns for any creative work including book covers, cover art, digital art and so on. Youtube offers several tutorial on how to use the Photoshop tools, you can search for the tutorials there I hope you guys enjoy and produce an interesting outcome. ;-)

Let's begin!

01. Open a blank canvas; use Pen Tool to draw your desired shape.


02. Duplicate the floral and change to a different color.


and go to FILTER>LIQUIFY.


Select the desired amount of the brush and push the tip of the flower to create more curve.


03. Then you enhance by adding gradient to the flower's interface 


You can enable your grid view to ensure it's symmetrical (balance)



Moving in with patterns

04. After you finish enhancing or modifying your shape (Flower), duplicate it in a new layer. Select the TRANSFORM tool and Resize it smaller, just nicely visible to create a pattern.



05. Hide the original shape (flower) layer. Please make sure the background is set to transparent (You can hide your background layer)


06. Highlight the resized shape, then go to EDIT > DEFINE PATTERNS.


Rename your pattern so that when you want to use it, it's easier to look.


07. Create a new layer, go to EDIT > FILL IN PATTERN. Your canvas will automatically fill with the repeated shape (flower) to create an interesting pattern.


Play around with other tool to make your layout more interesting but simple. Don't overdo.



You can also go to your background canvas layer and fill in with background color.



Result 

You can then insert text or image. Here is the final product, my upcoming e-book cover. Enjoy!


I will add more digital artwork samples that utilize the pattern technique to create other form of arts. Bookmark and don't forget to RT this! Thank you and stay creative!
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Sunday, December 05, 2010

When A Support is Not A Support

Two months back, I was introduced to amazingly wonderful people from The Center for Creative Communication (CCC) in Shizuoka, Japan to join together with Bigbrosworkshop to this prestigious conference called the Asia Design Conference 2010, Shizuoka, Japan.

Si Juan, mayor of Shizuoka, Mr Zenkichi Kojima & me

Eric Chen, me, Larry & Jackson Tan in Malaysia showcase at CCC Japan

Me and Tomoa, Director of Creative Commons Japan

With +81 Magazine's director, Satoru Yamashita, me, Taka Nakanishi and her friend.

More photos of my Japan trip available here:


Joining us is our neighbor, Jackson Tan and his team (the black angels) from Singapore, Eric Chen & Larry from Taiwan, Daisung Kim from South Korea, Laurence from iDN, Hong Kong, Gino Woo (Woogi, whom we met back in 2009's KL Design Week) from Shanghai. This conference would be complete entirely if we have participants from Philippines, Indonesia and Thailand so that we can discuss and gain tremendous input from each S.E. Asian countries.

What is interesting about this conference is that each country showcase their excellent portfolios from and discuss about their current situation that is happening in their creative industry.

Like Korea, the government does not support their creative industry to provide funds or support, not like Singapore or Malaysia. In Singapore however, everyone seems pampered by their government's privileges towards the support in arts & design industry, while we, in Malaysia still struggle to find that support. By support does not mean the government itself, but the people, Malaysians.

The biggest concern in Malaysia is that the people still have the 3rd world mentality and aren't able to support any art-related events or design conference due to their 'budget constrain' and whine about how expensive our events are, when both government and private institution offers free access to seminars and conference. The only problem is that we, Malaysian doesn't even bother or care to attend or they could never accept any feedback or critic be it negative or constructive because they only want to hear what they want to hear.

I remember hosting a Creative Commons event where I provide them free access to the event, provided food but no one bother to care about it and show no physical support.

One of our 'genius' excuse or reasons:
  1. Students who can't afford to come to our event but have enough money to buy themselves an expensive gadget, expensive clothes 
  2. Professionals who can't spare time to even participate and some do provide statement that some tickets to local conference are too expensive, but they don't have problem paying RM300 for 3 jugs of beer instead of gaining great knowledge and education or simply ignorant to bother about our events.
  3. Double-standard. Those who aren't well known are being discriminated especially by the media. 
  4. Malaysians are so particular and 'scared' to go out because it will waste their money by paying for their petrol and parking just to attend an event. 
  5. The advertising cannot work together with the architecture industry because each and everyone thinks that they are too important that none can brush their ego's off to do something noble.

All of these reason are unbelievably ridiculous because they refuse to support such initiative and became ignorant to proclaim there's no local event or government is not doing things to support our creative industry. There's even a question if it's a Malay organized event or Chinese organized event. Everything had to be color on top of everything.

Other countries like Indonesia would be so happy and privilege to have these kind of event lining up in their city, while we Malaysians can never be grateful enough to even acknowledge, appreciate us and always put a stop to any group who have the passion to host or initiate an event or a design showcase. Everyone start to close doors instead of opening doors to opportunity in collaboration and networking to increase a greater skill-trading between other sector in the creative industry. Everything is too monotonous.

What we should learn is to show our support instead of whining and complaining things. When we don't move forward, we can never catch up other countries to be on par in terms of state-of-the-art technology and innovation, such as Japan and other countries, even the closest one to us, which is Singapore.

It's a shame that we can't even get any politician to endorse or support us, while here in Shizuoka Japan, even the mayor would come to our show and show appreciation to support us.

This is what went wrong with Malaysians. The attitude of "Who cares! What's In It For Me?". Because when you don't care, it's how we can never see progression to our creative economy.

We have tons and tons of talented creative individuals who make Malaysian proud, from Jimmy Choo to  Tan Eng Huat's wonderful talent in illustrating top comic studios from Marvel, DC, we have Milx, Aadi Salman, Mohammad Yazid, Heavymetal & Imaginex's wonderful creation of the Wars of The Worlds the Animation, Upin & Ipin or Saladin the 3D animated series, where most Malay muslim in this country is trying to go against this project that I would consider a noble effort made and it's to be proud of because it's 100% made by Chinese, Malays, Indians, Sabahan, Sarawakian and other Malaysians who then became a family along the process of this project, but others don't see it. They only see figures that overcloud their judgement.

It's a shame how we (or those who try to pitch this account before and lost to produce the animated series or did not get a job interview as animators would provoke others to hate) became so insecure and vulnerable to see Malaysian talent emerge and try to find any way to put us down to the ground and these negative conservative people shred our effort due to their temper-tantrum towards government and we creative people, became the victim.

My sister, Abby, just wrote an interesting article. I encourage you guys to read and to understand what's really going on with our country besides the lack of support that I have wrote in this blog.

'I'm Not Going Anywhere' - By Abby Latif: http://www.themalaysianinsider.com/breakingviews/article/im-not-going-anywhere-abby-latif/



Creative Gathering: Behance 2nd Meetup



Another great session with members of Behance Malaysia. Check out our video ;-)

No Art, No Fun

Can't even begin to explain eversince I going my new workplace, I didn't have the chance to put my hands down to work on any artwork except for this.

Retak Sri Antlantisakti

Ok, later ;)
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