Showing posts with label Creative Industy Awareness. Show all posts
Showing posts with label Creative Industy Awareness. Show all posts

Friday, April 30, 2010

The Freelance World

by Muid Latif, Edited by Angelia Ong

Many magazines or online portals encourage young, creative individuals to go freelance. According to these publications and others, freelancing is considered as the latest creative career trend, but they fail to enlighten us about the challenges that we would have to go through in order to survive, especially during the current global economic turmoil.

What they do teach us are merely short term advice and knowledge-sharing. They persuade creative individuals (such as designers, photographers, film-makers, etc) that with a killer portfolio or certain skill sets, you can win awards to get recognized, and expand your clientele beyond belief. Unfortunately, not all have these kinds of privileges due to lack of motivation, moral support and a comfortable environment that surrounds them.

However, they don’t share the harsh reality of what a freelancer have to go through. It is never mentioned what you can do when a client refuses to hire you for superficial reasons, such as ethnicity, political agendas and so. It would be beneficial if these articles would talk about how your business will change once you’ve reached a certain age or parenthood comes a-calling.

As a matter of fact, many freelancers are not equipped with basic knowledge about long term business survival. Just ‘looking good for clients’ is stressed upon, as opposed to ensuring that you also have a solid foundation. The industry does not arm us with knowledge on the following: protecting ourselves, both from legal and copyright standpoints, how to protect our creative work, ensuring payment is on time and our work doesn’t get stolen before payment is made, how to manage projects using a proper management system, how to organize our accounts, managing our taxes and most importantly, how to develop client relationships to gain repeat business. Some would expect to be spoon-feed when you can explore and learn many things from the web and through readings.

With all that is happening in the world today, how can we ensure a promising future? What if a natural disaster strikes us without a sign? Your life is pretty much ‘doomed’ when your workstation washed by a flood or earthquake. How much of your “assets” would you have lost? Do you think that the client would care to acknowledge and understand the situation that you are currently facing? Absolutely not.

What are the measures that can be taken to ensure the security of our work and in turn ensure our future remains less chaotic. That is why we need to take the above perspectives seriously. We need to care about things that evolve around us and we cannot allow ignorance to destroy our very own careers.

As of today, many freelancers who step into this creative industry are mostly fresh graduates who have had zero experience in this industry and the only thing going for them now is talent and skills. Those two attributes are not enough to ensure that a professional and pleasant attitude will be provided by them towards a client. This may have an adverse effect as then people may become reluctant to hire freelancers or small scale design business.

All they lack is guidance and mentor support. Colleges or art schools do not teach their students about fostering good relationships, about discipline, about working ethics, about how to write documents such as project briefs, contact reports, or following up with clients feedback and requests, and most importantly, they have no clue how to quote an appropriate figure for their efforts and work. That is why a lot of freelancers these days does not have decent time management and are always swamped with projects and this only hampers the growth of the creative industry.

For example, we have art directors or designers who have permanent jobs in an agency, yet still go out to do freelance while there are freelancers who are struggling to compete. Sometimes this greed forces these freelancers to lower their prices, just to compete against those who already have a fully paid day job. Sadly, some freelancers dropped their creative rates so much so to design a logo for just $50 dollars or $300 for a website, or worse still do things for free. This is killing the market. Clients would go for the cheaper alternative or failing which, badger you over your professional rates, based on their “market research”.

Is this how a healthy creative industry is supposed to work? What about the SME (Small Medium Enterprise) companies out there? They also have to find ways to financially support their project managers, copywriters, designers, programmers, accountants and others. Should we allow ourselves to affect the balance of the creative economy?

_

Tuesday, April 08, 2008

Another Day in Jazzland

Interlude

To be able to find my time to write this blog would be refreshing, as I manage to finish of a lot of works on my plate. I got so many things to write about, but for now, I want to share my experience for the last one month. Hope all of you enjoy and inspire.

The Office @ Sinktuary

World Congress of IT (WCIT 2008)



A clean cut design work that will be featured in Jalan Pinang billboard, and finally to work on a widget for event countdown. Yeay indeed!

Penang e-Creative Open Challenge

An inspiring event I should say. I was invited as chief judge to evaluate the entries by local talents and I'm very inspired and flattered during and after the judging process, not to forget to meet new friends. As usual, judging is not easy and it takes a lot of consideration and evaluation to identify interesting subject message from the contestants.

I had hard time, because all of them are good, and to my surprise, they are all young, and we are talking about 14-15 year old school kids who enjoy watching Animax and read manga comics. The work produced is very well produced, and they use WACOM to do this. No joke for that!


Above artwork is made by the grand prize winner. Congrats to Reona Dawn! Her presentation is up to international standard, and she plans to study on Game Design & Programming. All the best girl!

Personal Updates

Adobe Design Achievement Awards 2008

Adobe Design Achievement Awards, In Malay Language (Kindly inform that this is not my work)

Never in my life would be so lucky to be approached by Adobe Design Achievement Awards committee to be a part of their wonderful campaign. This year, Digital Malaya Project (DMP) had been invited to become Adobe ADAA Media Supporter, and I would like to give my thousand appreciation to Ms Carole Guevin, who is one of the outreach committee member and also the founder of the super-famous Netdiver. Morever, receiving a precious gift from them, the Adobe Design CS3 Premium software will make me more productive after getting this macbook pro baby. I'm planning to buy Office of Mac, Adobe Lightroom & Aperture 2 soon. Of course, we, DMP on our end need to promote this prestigious event to our local schools and colleges. I managed to get sponsors like EcazStudios and others (Jay & Vivian) to help me promote, so I thank those who supported Adobe and DMP.

Talk about DMP, I'm just trying to buy time to revamp back the site. It's been ages that I have not contribute any content accept major promo and updates. After reading 'Destroy The Web 2.0 Look' from Sireh & Cengkeh Terpilih, it made me pretty clear about myself as a designer, NOT to bow down on Web 2.0 look, entirely. We call ourself a designer but we are not if you kept on using design templates provided by wordpress and ready made templates, which includes following other people trends, but not yours? It's definitely a waste, and also a conflict of identity that you had been trying for, and as for me, I ain't going to give it up just because of the trends and so called 'the in-thing' that I myself need to follow, when back in 2001-2002, we already have explore the usage of JavaScript, Applets and DHTML. With the Web 2.0 look, or those ready-made template by other designer will will only weaken us as a designer. You can do everything according to the trend, but don't let all of your work be at one style. These days, Flash website gets more control because of FLEX and it's seamless interactivity. Thanks to Syed for bringing this great feature in his website. To us who have the pride of calling ourselves designers, do your design according to your own style and identity, but technically improve on back-end, whether integrating with a good CMS or a funkilicios ActionScript for your works.

Weekend Breakaway

Last weekend (29-30 March) had been another blast as I spent my time with my fellow Saladin artists such as Sandra, Remy, Hanie & Immo to go out for a sketch-session at the National Birdpark in Kuala Lumpur. I got so caught up with 'Toco Toucan' and Malabar Pied Hornbill species. Managed to get some sketches done, though I have to rush for Yahoo! Malaysia Flickr 2nd Anniversary Party at Pelita Hati Gallery, with another special freestyle dance performance by me :P

Photography: Going on Travel Photography, most likely.



Meantime, my photo work of Niah Great Caves has been shortlisted in the National Geographic 'Daily Dozen' for April 1, 2008. A big thanks to k.a.b.i.r, my KLickr pal who had informed me.

Digital Malaya @ PeKOMIK Mini Convention



I was invited by Azhar, chief of Malaysian Comic Association (PEKOMIK) to give a talk at the PeKOMIK Mini Convention last weekend, 6th of April. I was so honoured to be presenting my work with the attendance of fellow artists including the legendary Ujang. His talk was awesome, inspiring and hilarious.

RECAP: Get Mooovable Moving Art Exhibition

This show went with a great success, follow by strong support by my friends, mostly from Flickr Malaysia. Our exhibition was also featured in two magazine, one is Space, volume 1: 2008 and March's KLuE with name mentioned and artwork displayed. It was also one of my very rare event, because I had performed two dance session. I pay my greateast respect to two special individual, Jay Lim & Vivian Toh for putting up such a successful event and to be able to handle and coordinate very smooth. You guys are in my heart.


Muid & Friends


Muid's performance.


Artwork Updates: 3 fresh from the Oven

I managed to do some illustration on my flight to Penang, so this illustration was created 27 feet tall. Cherry Bomb! (Joan Jet)


'If Dreams Are Miracle', by Muid Latif

Exploration: In Her Mind
'Exploration: In Her Mind', By Muid Latif

I'm also digging up my old illustration and managed to rework on some including my current work-in-progress for the Hijau exhibition this June.

The Punishment
'The Punishment', by Muid Latif

EW.I.P: 'hizhuo
W.I.P, 'Hizhou', for HIJAU Exhibition, this June 2008.

The Trip: Java Jazz


Back in 1994, when TV3 introduce us to Benson & Hedges: 'Golden Dreams', I used to remember that I wrote a letter to them about my golden dream to meet someone that I adore, someone that I constantly listen to back when I was wearing that green pale pants and white school uniform, imagining that someday I would meet Kenneth Edmonds, probably known as Babyface. His music had pretty much influence my life, my creativity and my interest for r&b and soul music. So when my sister bugs me about Jakarta's Java Jazz Festival, I had a flat chance to go there because of my workload, but thanks to my dear boss, I was able to go there! To know Incognito, D'Sound and Park Drive will be performing in that prestigious event, I felt there's no reason I should not waste my weekend by not going there. So later we tag along with our friends like Oya, Halimi Saidi, Atilia, our dearest local singer, and her konco-konco, Fizar Harun, Jerry, Fid Fathir (he's a cool dude!), David, Eric Li, Donna, Teejay, Comel, Roslan Wikinson (hope I spell the name right), and our dearest soul-lady, Salamiah Hassan and the rest.



Park Drive @ Java Jazz


A week before, my sister asked me if I would like to buy the special ticket to watch Bobby Cadwell and Babyface, but I rather spear my money for shopping, because I'm up for that. Going to Jakarta is like heading back to your second home, because I got lot's of memories and friends there. I know it's such a waste not to see Babyface performs, but on Sunday the 9th itself, set the most historical date of my life. This is how the story goes;

The people @ Aquarius
In front of Aquarius Record Store.

After shopping tons of CD at Aquarius in Pondok Indah, I kept on whining to Abby to go to EX Mall nearby Sarinah Mall (I think so!) because I want to get that delicious Japanese food that I ate early last year when I attended the Massive Offline conference. But instead, Abby told me to head back to Jakarta Convention Centre so we can arrive early to the show.

So we went there. We took the tunnel from The Sultan Hotel. There's a moment when we about to pass the lobby and I said to myself, 'If only I can see babyface..', and a few second, I saw a tall American-African came out of the lift alone. I immediately shout lightly to Abby and I said, 'Sh!t, that's Kenneth, Babyface!'. I lost all my sense and run towards him and greeted him 'Kenneth'. To my surprise, there's not even one assistant was near him. I ask him if we could take a photo of us together with him and I know that time, he was rushing for his show. He said 'yeah, sure'. It's just out of the world to know that suddenly I have a chance to meet him. I shake my hands and I told him thanks and said it's an honour to meet him. Right after we took the photos with him, three of his assistant start to chase him and ask him to leave for the show. I thank to Abby, and God for making that moment a day to remember.

Me & Celebs
So, this is for the cool in me, and Babyface!

The 3 days event is a blast, with a lot of fun and laughter. Finally I managed to get my hands of the famous Krispy Kreme, the most delicious donut. I also bump into my friends, and they are Azlan Abu Hassan @ Soulguy, and Omar K! Me and Azlan goes way back and we have been chatting since 2002 but never meet him in person, but Java Jazz made a great meeting point for us. Thanks Azlan, for recognizing me and to hang out with us. It was also a pleasure to meet Omar K, one of Malaysia latest new fresh producers who made great composition.

Muid & Celebs



Parkdrive, as smooth as jamiroquai+incognito.

It was a pleasure to be able to stand in front of them and enjoyed their performance and meet them in person. Thanks to our brother lead guitar of Atilia's genious band, David, who's also a natural-born photographer, for hooking us up with the Park Drive's musician, Rayendra (Ray).


Muid & Celebs

Muid & Celebs

Transform: Masterforce!

Transformers Updates

More collection, more orders including the cool G1 Encore Omega Supreme. I managed to get Skylynx (but ain't really likin' it) and managed to get two precious Masterforce series, the Powermaster Lightfoot and Powermaster Dreadwing.

Outro: Kembara Hati

Being grateful and thankful to God, for giving such high spirit and awakening. Friends comes and goes, but to some friends, you made such a wonderful journey for me. Thanks again for your kind support, and thanks for accepting me for who I am, and for the worst of me.

I recently had a great smoking-break with a colleague of mine and we had discuss about relationship. I conclude his input that inspired me.

I will no longer push everyone to be in my shoe because they can't be as I am. I have to learn to accept that very small part of a person character, regards to the limitation they have. I understand some people can be comfortable within their box, within their own comfort zone and I will not push them to go as what I am. Some people are afraid to share their past experiences because they afraid of loosing, and I may no longer doubt or question them. Let them know me, and I let myself learn just little, as long as they are happy.

I revisited my mistakes and my failure once again, and in time and space, I will find my way again.

Up Against The Wind - Lori Perry

Day after Day seems like I push against the clouds
They just keep blocking out the sun

It seems since I was born

I've wakened every blessed morning

Down on my luck and up against the wind

Don't you stop, don't you run, don't you cry

You'll do fine, you'll be good, you'll get by


Night after night seems like I rage against the moon

But it don't ever light the dark
I curse the falling rain
But it won't stop for my complaining

Down on my luck and up against the wind


Don't you stop, don't you run, don't you cry

You'll do fine, you'll be good, you'll get by


Swimming against the tide and striking the indifferent air

I'm swinging with empty hands

Driving that empty dream

Day after Day I fend myself against heat

But it don't ever cool the breeze

Don't you stop, don't you run, don't you cry

You'll do fine, you'll be good, you'll get by


_
It's time to blow that candle, and sit in a silent darkness, but not as a lone moth, but a free hummingbird, ready to sing beautifully.

Wednesday, February 13, 2008

Interview Session: The Wonder Wall

What’s New With You?



I’m working on an upcoming exhibition and also will be doing a 4 minute freestyle performance on the 2nd March 2008. Other than that, I’m assisting the company I’m working with in the Brand and Communication to enrich creative campaigns for World Congress Information Technology (WCIT 2008) and International Advisory Panel (IAP2008) alongside with great agencies and partners. Meantime, I’m polishing my photography skills and planning a trip to Java Jazz Festival in Jakarta to celebrate my birthday with my sister, Abby, our dear friends like Atilia, Oya, Halimi, Fizar, Jerry and my partner. I might be bumping into my Indonesian friends from the design field and keeping my hope cross to meet some great producers and notable international singers over there like Andi Rianto, Harvey Malaihollo, Glenn, Incognito, James Ingram and Kenneth Edmonds (Babyface). It’s going to be a worth birthday gift ;)


"Hope", by Muid Latif
'Hope', a new artwork by Muid Latif for the Get Moooving Movable Art Exhibition, 2nd March 2008.

We rarely see you in art exhibition these days. Why?


Erny Dyanty and Muid Latif, at the recent 'New Photography from Southeast Asia Exhibition' @ Valentine Willie Fine Art, Bangsar, 13th of February 2008.

I choose not to. I just felt it’s time to give chances to the new generation of designers and artists to participate in art events and exhibition, and use that platform as an opportunity to acknowledge themselves. I had experience the best show and I believe it’s not fair that you take all. I don’t want be labeled as a greedy artist or designer. It is good to just appear in several occasions and events. Like I mentioned earlier, I’m a workaholic person. I’m busy spending hours writing proposals, attending meetings and appointments. In fact, I really like to spend more time with my friends and family these days traveling to places, take photographs and get in touch of the nature. I don’t to stuck in the office at the age of 30 years old chasing dateline and miss all the fun in the world, it’s just too pathetic. Having said that, it doesn’t mean I’m not active. I am creative and I never miss my weekly sketches and illustration. Once an artist, always an artist!

Do you think you are famous?

I’m not famous. I, however, am well-known and I am well-linked for sure! I can be this one wild chap and at the same time, I am a role model to a lot of people. I keep myself moderate however I never miss doing my occasional social networking to gain more contacts. I am surrounded with nice people who appreciate my works, and know my capability as a new media specialist, not just know how to talk or write but I can say yes even to the impossible things. I am reliable to almost everyone around me. It’s good to know that some used me, because I know its better feel this way than feeling nothing at all. I am happy to know some people out there acknowledge me especially to help them grow and felt a need to compete with me. Some had bypassed me with good potential, and I felt proud to see where they are now. And you know what? When I see them, they smiled at me. I felt flattered.

When we see your portfolio, is it officially a commission work or ‘syok sendiri’?

I classified my work in two categories, one is for commercial, and one is personal work (non-commissioned). The works I did even had been published and launched even by our local Prime Minister, our beloved Yang Di-Pertuanku Sultan (Daulat Tuanku) to great notable clients. I never felt proud seeing our own Sultan touches your own product and effort for the launch. KTM Commuter stills hang my artwork in one of their train even if they suppose to take the artwork off more than a year ago. Most people like my work, and most of my work sells. I don’t need Bauhaus or Award-Winning Art Direction to get recognize. As long as my work pays the bills, everyone is satisfied with my contribution, we both live in peace, that’s all that matters. There’s few good commission work that made me earn good money, as well to help others. The best part was to do it professionally, even paid for Government Service Tax ;-). So go figure if it’s a ‘syok sendiri’ (vanity) or not.

What do you think of designers with attitude?

Attitude is for divas, divos and prima donna’s. I met a friend of mine and use to be my early client, Ferhad. We both had a quick chat about a designer with full of attitude and doesn’t perform well in a professional business ethics. A person full of attitude means a person who is hard to work with. As for me, a small side of me is about being professional or not. I strongly believe we do need to be rigid at some point and situation because you want things to fall in places. I don't like to mistreat people because of my status or to which agency I work with; instead, I would clarify and identify what I want or my stakeholder wants, and what I can do to smooth things up for them. When I work, I don’t just design. I use a lot of process of work to identify the right project management, from documentations, to time lines, site-maps, architecture information (AI), brand building and other important matters. It's always a plus if you have constant follow-up so you won't run away from your timeline.

What would a person would pissed of with you or if they claim you are a guy with the big 'A'?

If a person pissed of with me, that's because I turn down their offer to work on a specific project or for their company, some of the factor why I refuse to take jobs offer these days is because:

  1. First and foremost, I'm engaged as a consultant to a very high profile organization. So therefore, I am occupied most of my time with the task that had given to me.
  2. I love what I’m doing now. I also have other commitment to do, and I still have to run and manage Digital Malaya Project (DMP). Since DMP had become an official Media Supporter to Adobe Design Achievement Award 2008, I opt to get more serious. These are the only two that I should be focusing on. One is career, and one more is my passion. Others I may find it an opportunity, but I believe the opportunity I’m seeing now is with the company as a consultant, and my pet project, the DMP. Its also shows I'm loyal and I focus on what I like best.
  3. They (clients) wanted me to build an interactive website for the cost of RM2000 and they want everything, and this means EVERYTHING. Recently, a person is comparing other designers who can produce a particular website by charging the amount of USD$400. This is why some freelancers are killing the market. We are talking about putting down an industrial standard of doing a professional business. Unless you are a pakcik from an inner state asking to help with design banner and stuff for promotions and their small business, I would consider and do on charity basis. I even take barter trading if I work with the right person.
    i.e: 'Hey Muid, can you build me a website? I'll help you out with the magazine design layout for your MekarMara", or "You design this e-newsletter, and I'll buy you lunch at Italianies'. Now that is nice kan? :)
  4. I just can’t work with people who want things to be at a very, very low budget at the same time want full quality in everything. Things like this need justice. And I strike for one!
  5. They disrespect the creative people and disregard creative process. If they want to hire us, why there’s so many process and obstacles (namely on decision making and about being 'kiasu')? I prefer to work with people who knows what I'm capable of and have faith in what I do and bring the teamwork spirit on the table.
  6. In another case, If a student approaches me, I give them hard time; this is because I want them to communicate properly. It irritates me to see; ‘hey bro, aku nak interview hang untuk thesis aku boleh? Call me.” If a proper student communicates well, I will help throughout. Some of them scores A+ and Dean’s list.
  7. I'm a bit pushy when it comes to payment, because I delivered most of the requests according to dateline. Sometimes, some clients find me irritating, because I will call and call the finance's office until the payment is made and cleared. Wouldn't harm anyone right?
So yeah, it’s about being professional (not being diva/divo) and fully understands what I want or what they want in order to produce a seamless and great teamwork on a project.

Do you think Art Director is such a big deal for designers?

Well, at early stage. I thought so. Being an art director is like from being an executive, to senior executive and to a manager. Then I got involved. I was one of them. But I felt nothing if I work my own ways because to become an art director, you have to create a great mutual relation with your other team mates. It’s all about teamwork. I know at a time I have to work so hard, not only to provide creative mocks and concepts, but to come up with researches, a great proposal, mood board, project paper, creative brief, timeline, site maps, AI, you name it.

Some art directors make their ways by talking bullshit and trying their best to impress themselves how they can present stuff creatively, while others can’t even draw a great figure or can’t even create a great 3D model. Some can’t even take photograph nicely. I know one art director who are good in writing and rationalize things, but to such surprise, insult artists when he himself called the 'Art' Director. So, should we separate and divide things to put in such status of class?

I do, however, met some super talented, yet humble Art Directors, but you can rarely find 'em these days. Just ask yourself, if you’re good, why would you still try hard to impress people? The artwork or the products you create speak for itself. Not words or what stated in your 10 pages proposal. I mean it's a plus if you also good at writing and documenting things. But seriously, execution proves how well you are, how efficient you are. Don't dare to even call yourself a designer if you don't produce numerous of work a day, don't dare to call yourself an artist if you don't own a sketchbook and never sketch a single work.

It's never a big deal becoming an art director. It's just a title. Most important is your work speak who you are. If you're hardworking and a smart person, people will acknowledge your credibility instantly!


Do you ever felt defensive when there's something not right?

There’s a different between defensive and justifying yourself. Defensive means you jump out (freaked out) when people give you a critics (which most of young Malay designers do these days, no pun intended!). Justifying is to rationalize what you do, and to let others understand your process of work, so they know it’s a serious deal about what you do. I can be both, but most of the time I only justify if I found false facts about me or my work. I like when people came up to me and talk about what I should do or what I should not do. I felt very human if someone identify my weakness and mistakes, but I dislike to be mistreated or to put down my pride, which in my experience, Off topic, I'm talking about the two art director from my previous company who had highly insulted me. I used to look at them 10 feet high. Now, nothing.

Have you fail before?

Yes. Many, many time. In fact, 2005 was the year I fell and broke apart. It was a tough year for me. I lost my pride and friends around me, I lost my sense and I lost my motivation. Those who stand next to me still with me, and those who don’t left me. I’ve been through a lot of shit in my life, but I never look back. But doesn’t mean I didn’t look back at all. I recovered slowly but surely. I revisit my pass and my mistake, in order for some chance for me to improve my weaknesses. God is great indeed, so there will be more obstacles, and it’s up to me to fight and be strong. I am prepared for it because I have a lot of rivals around me. So, it keeps me on an alert. I did repeatedly inform some people (even in my lectures or creative workshops) that I got kicked out from my college and I regain my pride by working extra hard, of course, with a lot of support and help from my family and friends. When you fail, you learn more to improve yourself. I'm glad to go through the hardest days to get me where I am today. (Alhamdulillah)

What does it feel to be you?

Constantly felt grateful and thankful. When I looked up the sky, it reminds me how small I am and how much I want to work to earn not just for living, but most important, to make my parents happy, and that I can repay for that they had done to shape myself to where I am today. And I got friends around me, mentors, and great people. I’m getting older and what I hope is to get more friends who can send al-Fatiha when I’m not in this world. Not friends who knows how to party but less contribution to their akidah. I'm not saying that I'm a religious person, but I always keep my head to the sky.

I want people to know that I had given my contribution, my experience and my knowledge without doubt and territory, most important is sincere. I’m proud that I was able to help young children to learn the beauty of arts, and it was God who had made me realize how beautiful to be able to help people. My talent came from above, and I am so grateful I am able to use his given talent, efficiently and wisely. (Alhamdulillah).


I heard of a song ‘2x5’ by Ahli Fiqir (Singaporean Hip-hop group) and what they said is true. Qoute ‘Ada orang tak suka menderma, ada orang suka derma tapi nak pembalasan’ (meaning some do charity but they wanted something in return, or something like that). It made me realize that I must never to spear a hope to get something in return. I let go a lot of things in 2007. And I hope this year, I can achieve more positive outcome. I mean there will always be my social activities and responsibilities, but doing something good and contributing more towards the community is something I choose to do. What about you?

_

Thursday, October 11, 2007

Malaysia: Jobless Malaysians?

Written by Muid Latif, edited by Aniqah Husda

It's pretty sad that albeit the 4,000 thousand graduates
with great untapped talents that were produced annually have not been able to fulfill the relatively few job vacancies from local creative and advertising field. It is with great insult that the nation's best 3D animators, compositors and GUI designers are recruited by international companies abroad such Codemaster, not that it is an insult to the employee or employer per se, but since we have an embedded stigma that the foreign (i.e anything that spells white) is better, we forgo our local talents and lose them out to the big guns overseas.

Same goes with most other professions anyway, but the field of creative multimedia and advertising is uniquely localized and hiring foreigners who have no clue of our circumstantial differences does not really help the country go forward. Hindsight, we are still too far behind and if not well-planned outright, our future talents would just be "born in Malaysia - made elsewhere in the world."

Are the policy makers in this country aware of the following facts?


Did you know
that China is extensively recruiting good designers from Malaysia and now most of them 'migrated' to Shanghai & Beijing to work in a better job opportunities with better payment.

Did you know when I wanted to approach the graduates from local colleges such as The One Academy, all the top students had been booked by other agencies from Singapore, Australia and Hong Kong?

Did you know that to apply for a job in Malaysia is like applying to become a model in a modeling agencies? Local companies are getting more superficial and requires candidates to have looks more important than a portfolio. (I'm talking from experience!).

Did u know that a lot of Art Directors & Creative Directors in local advertising / interactive agencies are 'managed' by expats? It's not bad, but does this prove we have no standards and quality AT ALL to achieve such position? or

Are we that prejudice over our own talents that we bank our trust on the future of the creative and advertising field in the hands of short-term/contract workforce whose loyalty to Malaysian brands are questionable?


Of recent, I was offered a vacancy by few parties (some very famous and popular international brand firms) in China due to my reliable merits, strong work credentials and sound portfolio (hope I don't sound too boastful or condescending but I am fully confident of my work). However, I've decided to remain in Malaysia backed by strong faith that there is hope still for the expansion of local talents. Having said that, my fire is fading fast and I've contemplated moving to greener pastures if things doesn't work out here and the local employees/agencies are still in their post-colonial mentality.

An existing scenario prevails; if all the good designers had received offers to work abroad (Singapore, Indonesia, Hong Kong, China, Australia, Canada, etc) that leaves us the mediocre designers struggling for survival and left misguided with the notion they are never good enough in their alma mater.

One last note; I've discovered some good designers (previously evaluated and ranked by qualified professionals back in university) working as Direct Selling Agents, Bank Officers and Sales Assistant in Carrefour, Giant, McDonalds, Starbucks, and the list goes on. People still need to eat yeah? And that Art School Degree is left wasted.

Does anyone really care?


Work Updates: LAMU Project



I would like to thank Wing, Saubin, and the rest of the LAMU committee members including our sponsors and KTM to give us the opportunity to realize the vision of the project that I'm involved with, Let Art Moves You (L.A.M.U) is also on the way, with my newest artwork. It was a great launch. Finally, some exposure! ;)


More photos can be found in my Flickr page here.

Four (4) of my artwork installed in train no. 39 is just mesmerizing. This exhibition also runs until 4th of November 2007 among other artists such as my friend Shieko, Orkibal, Donna and others.



My artwork also mentioned in TheStar Metro Saturday and New Straits Time Sunday. Article 1 via NST Sunday, Article 2 via NST Sunday People, KakiSeni & TheStar Metro.

Personal experimental:


New digital artwork by Muid Latif in collaboration with notable Malaysian photographer, Johan Sopiee. Congrats Johan on his special occasion last week! ;)

Photography:


Title:
A Solitude Mutiny
Model:
Afiqah.
Thank you to KLFlickr group for making this photo as winner of 10th weekly theme competition.


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Tuesday, July 03, 2007

Transformers Mania

My dream came true (yeah baby!).Though Michael Bay didn’t bring the best of transformers for their die-hard-fan (macam saya), but it’s worth watching. I mean, come on, can’t expect every freakin’ transformers to be in the movie right? But I bet there’s Transformers 2, and hopefully ada Omega Supreme or Fortress Maximus atau Metroplex. Cool eh? Although the game for PSP was f****ng boring, I still watch it few times in the cinema. (Hopefully to be on IMAX). I’m sure by now, all transformers collectors are increasing their current collector price to $$$$ (4 digits) Ringgit Malaysia.

Here’s my recent transformers collection




Yang Baik (Autobots), mostly Takara version.


Yang Jahat (Decepticons). R.I.P. to my Insecticons, Starscream G1 & Demolisher. Sedey.. Ni semua gara orang gaji yg tak tahu menahu pasal kepentingan toys aku. Boleh tak dia buang time kitaorang pindah from Kem Sg. Besi to Selayang. Aku redha...

To calculate the total of my transformers collection, I spend more than RM4,971 since 2002 excluding DVD collection and other merchandise. Gosh, I can get a new MacBook with that figure. Tapi sayang pulak nak jual all my stuff kat eBay. Let me keep this as my only permanent hobby. (Tapi tak leh lawan my boss, giler satu rumah penuh koleksi from A-Z). Kalah Afdlin Shauki). More of my Transformers Collection @ My Flickr. Talk about hobby, my new hobby is playing PSP! yeay! (Gosh, macam budak2... umur dah nak dekat masuk 30 tahun).

TF Wishlist (jer!, bukan confirm beli):
  1. Optimus Prime Electronic Mask (Macam not necessary)
  2. Bumblebee (TF Movie version)
  3. Optimus Prime (TF Movie version)
  4. Ultra Magnus Masterpiece
  5. Starscream Energon
And I know all of these stuff I can get at only oooonne (1) place, that closes at 3 o’clock in the morning, right here in Bukit Bintang, Kuala Lumpur. But having said that, I will be spending my money buying a very freaking cool WACOM tablet for improving and increasing my illustration skills using Photoshop CS. Better right?


_Work Updates:

Illustrations:



And my sketch of a robot tengah membaca. Very cute one.





I have to do it since everyone in the office starts to illustrate their own version of transformers including Junning, Iman & Eisu.. Duh!


'Dambaan Jiwaku', My first LP CD, Edited by Kromosom / Keribang

Talk: ‘Generating Creativity Through Interactivity’
I will be flying to Johor Bahru to give a talk on ‘Generating Creativity Through Interactivity’ together with my big man, ‘Kanye West’ & Ke’Kamal’lan under MSC Malaysia Creative Multimedia Content Initiative (CMCI) program on the 24-25th of July.

2nd’Exhibition: 7 July 2007 (7/7/7)
Digital Malaya will be showcasing it’s demoreel and my second public art performance at Central Market for the grand opening of 7/7 Malaysia First Digital Art Gallery. I will be rework on ‘Body Movement’ performance with a wyyeeeetle bit of contemporary dance for the gimmick launch. Nak tengok muid buat aksi lipat roti canai dan teknik sakit urat badan, teknik tangkap biawak, mari sama-sama ke Central Market Art Zone this 7th of July, 7pm!



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I still miss my Perodua Kancil. I will never forget you!

Wednesday, May 30, 2007

Case Closed | Resolved

Justification

It is most important to tell my audience what I have gain from my recent discussion with my client. Previously I had made a unprofessional remark on them and even the organization about the project that I had deal with. Getting few feedbacks, to me I personally should have communicate with them first. But I'm glad to put my POV the last time, because if it wasn't for that post, I would have not achieve a good communication and relationship with both party.

There are few issues that are able to identify, and had been resolved. Most important, I would like to remind myself, and tell everyone about what I experience working with my previous clients. Here goes;

I learn a lot of things, and this time, I don't put the blame on them but myself. This is because after the discussion, they just informed me that it was one of the few first project they are working with. So that means, I should not have expected too much from them. Having said that, they admit of not clarifying the situation to me as first place, therefore I misinterpreted their work. If they told me sooner, I would have give much support and help as possible.

You know, Paul Arden really help me to clarify things in my life, especially dealing something. Most important, to identify something that we sometimes seems not to care so much. I made a lot of people worried, but I believe doing this also help to improve greater communication the next project I will be involve with. To those out there, the freelancers, the designers and others alike, please corporate as much as possible. Having a good communication, responsibility and understanding plus courtesy will definitely help a lot to make one project become successful.

To those who decide to quote from my blog from my earlier post, I would like to kindly summon them to remove and replace with this new post instead. I feel much better, after the discussion. But to the three dedicated people I had work with, I hope you guys understand why I stand up on my feet. The fact that I do fall down, but I will stand back and start walking again. It means, in any problems we face, there's always a solution. And all of us have achieve that, that very night, which is on Thursday 7th at 10.20 - 11:30 p.m. Again, apologize for the inconvenience that the three of you had dealing with me. We all learn a lot of things, and hope in future, we can be much more prepared, and well manageable especially in terms of communications :)

Cheers guys,
Muid Latif